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Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
In Praise of Contingency: The Powers and Limits of Theory
musicology social sciences Powers
2010/3/24
[1] Let me say at the outset how honored and delighted I am to be speaking with you today. When I first went on the job market in 1975, I advertised myself as both a musicologist and a theorist. Recei...
Anonymous I and Prologus in tonarium：Changing Interpretations of Music Theory in Eleventh-Century Germany
Music Theory Eleventh-Century Germany Changing Interpretations
2009/10/16
This article examines the relationship between Prologus in tonarium by Abbot Bern of Reichenau (d. 1048) and the eleventh-century music treatise known today as 'Anonymous I' (first published by Dom. M...
Bruckner's Symphonies and Sonata Deformation Theory
Symphonies Bruckner Sonata Deformation Theory
2009/10/16
Sonata deformation theory constitutes possibly the most substantial recent contribution to the analytical literature dealing with the sonata-type repertoire of the later nineteenth and early twentieth...
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)
Norton Dudeque Arnold Schoenberg Music Theory
2009/10/16
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
Analysis, Philosophy and the Challenge of Critical Theory：Michael Spitzer’s Music as Philosophy：Adorno and Beethoven’s Late Style
Michael Spitzer Philosophy Music
2009/10/16
Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style (Indiana University Press, 2006, ISBN 0-253-34724-6) pursues multiple lines of scholarly enquiry. As a musicological study, the...
Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007)
Fin-de-siècle Vienna Culture Race Music Theory
2009/10/16
!(R)Our principal and perhaps oly responsibility, I would argue, is to understand!afor
to understand is not to condone, while to condemn without understanding is futile!ˉ
(147). This sentence, alrea...
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)
Henry Burnett Roy Nitzberg Chromaticism Tonality
2009/10/16
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)。
“Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students
Teaching Blind Teaching Music Visually Impaired Students
2010/3/24
Imagine this—it’s a week before the beginning of the school year and you’ve just been told that a blind student will be in your sophomore theory class. What do you do? In late August 2007, I found mys...
How Do You Hear That? Autism, Blindness, and Teaching Music Theory
Autism Blindness Teaching Music Theory
2010/3/24
[1] In the documentary film Touch The Sound, which examines Evelyn Glennie’s life as a deaf percussionist, Glennie remarks,
If someone asks me: ‘Oh well, how do you hear that?’ – then I simply say: ‘...
Characterizing Idiomatic Organization in Music: A Theory and Case Study of Musical Affordances
idiomaticism performance difficulty modeling Gebrauchmuzik
2010/9/26
A theory of idiomaticism is developed and illustrated using music for Bflat
valve trumpet. Physical measures were collected from two trumpet performers and
used to construct a computer model of the ...
The relevance of Edward Said’s theory of Orientalism to Mozart’s Die Entführung aus dem Serail
Orientalism Mozart Edward Said
2008/10/27
Owing to the large number of issues touched upon in Edward Said’s Orientalism, I have chosen to focus on three key aspects of his thesis: Imperialism, Identity and Orientalist study, before discussing...
Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop
Music Theory Jazz Meets Pop
2010/3/24
Henry Martin – Introduction
[1] The 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop took place at the Eastman School of Music, June 15 to June 18, 2008, in Rochester, New Y...
Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory
combinatorics enumeration permutations combinations Pólya pitch-class sets set classes twelve-tone rows
2010/3/24
Many techniques in combinatorial mathematics have applications in music theory. Standard formulas for permutations and combinations may be used to enumerate melodies, rhythms, rows, pitch-class sets, ...
Documentation is Documentation and Theory is Theory: A Reply to Daniel Avorgbedor's Commentary "Documenting Spoken and Sung Texts of the Dagaaba of West Africa"
West Africa song dance story oral culture Dagaare Dagaaba bawaa
2010/9/26
In a response to an article that appeared in Empirical Musicology Review
(Bodomo and Mora 2007), Avorgbedor (2007) takes issue with aspects of the paper. In
our reply to Avorgbedor’s response we wil...